action, bridging the gap between the secular and the sacred, and introducing the dimension of the transcendent into all aspects of our daily existence. Everything that has been said so far about the icon shows how altogether inadequate it is to describe icons merely as religious pictures. They are much more than that. “The icon is a door,” states the life of St Stephen the Younger (d. c. 764), who underwent martyrdom in defence of the holy icons.11 It is a means of entry, a place of
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